Mike Perry

Just found this Nike 6.0 type I did that never got used.

A fun little gang of odd balls just playing.

Why is it that the ampersand is so amazing.

I was asked to create an ad for The Fader’s collaboration with (Red) Campaign

In 2008 I did this story for the New York Times Magazine. I got to work with these great photos by Ari Marcopoulos.

As part of this years New York Fashion Week Mac Cosmetics commissioned me to do an & for their collaboration with Milk Studios.

Proposed campaign for New York’s 92nd street Y, illustrating the institution’s long-standing commitment to diversity, culture, and community awareness.

A typographic exploration of my home base, Brooklyn, New York. Produced as a single-edition zine for a small exhibition in Japan.

3D alphabet commissioned by Urban Outfitters to be sold in stores. Due to high production costs, the series wasn’t produced.

Screen printed metal
12 x 6 x 2.5 inches

I collaborated with Fallon Minneapolis on this typographic pitch for HTC.
(They did not move forward with this concept)

Cover illustration for American Express’s Black Ink magazine.

A collaboration with Jay Bell for an exhibition at the DWR: Tools for Living store in Soho, NYC.

Wood and paint
approximately 14 x 14 x 14 inches

Pencil and watercolor on paper
10 x 40 inches

(a poem)
Mixed media on paper
18 x 24 inches

Poster insert for the Nylon x Ray-Ban music guide.

A literal A-frame…and other letter dwellings

Commissioned illustrations for Vibe’s 15th anniversary issue.

A random selection of type from the last few years.

H is for hairy… like an animal.

Dwell commissioned me to turn the names of starchitects into iconic rock logos.